Creative Commons

It is a known fact that, most of people who engage in arts appreciate whatever it is authentic. The purpose of this dissertation is to stress the value of non-authentic and appropriational artworks, examining their aesthetical, cultural and legal aspects. Through a historical and philosophical approach in the field of aesthetics, the concepts of mimesis and originality are explored, revealing the inspiration of the creators of these works and the respective conceptions of the audience. Moreover, their cultural value is highlighted, investigating their meanings, contexts, scope of creation and their impact on the art-world. In addition, much emphasis is placed on the legal side, determining the boundaries between legitimate and illegal works and quoting the subjectivity and elasticity in legal terminology. Furthermore, the function of four tools in the authentication of artworks is described as a means of enhancing transparency and security in artwork transactions, and protection against art fraud. All these sectors are accompanied by case studies analysis and examples, for better comprehension, identifying the motives and intentions of artists, the legal implications and the perceptions of the audience.