GR Semicolon EN

Show simple item record

dc.contributor.author
Iatropoulou, Maria
en
dc.date.accessioned
2021-10-20T09:04:19Z
dc.date.available
2021-10-20T09:04:19Z
dc.date.issued
2021-10-20
dc.identifier.uri
https://repository.ihu.edu.gr//xmlui/handle/11544/29918
dc.rights
Default License
dc.subject
Music Industry Management
en
dc.subject
Music Industry
en
dc.subject
Music Industry History
en
dc.title
Structure and Operational Aspects of the Music Industry
en
heal.type
masterThesis
en_US
heal.dateAvailable
2021-10-13
heal.language
en
en_US
heal.access
free
en_US
heal.license
http://creativecommons.org/licenses/by-nc/4.0
en_US
heal.recordProvider
School of Economics, Business Administration and Legal Studies, MA in Art Law and Arts Management
en_US
heal.publicationDate
2021-02
heal.abstract
Music Industry is usually considered as a homogenous sector thus referred as one entity. Nevertheless, after a more meticulous study, segregation into three pillars is considered; namely, the Recording, the Publishing and the Live Performance Industry. The aim of the present work is to study its structure through a historical overview of the evolution of Music Industry. More specifically, considering music as an industrial product, the present essay will examine the historical course of its evolution not from a musicological point of view, but as Business and its operational aspects and the interaction with the Industry. In addition, extensive reference will be made to all entities that assist in the production of the item, in the distribution, consumption and finally the inflow of revenue. Following a historic overview, the present essay investigates the three pillars individually and through their interface, focusing in the Recording Industry. In general, the key factors that influenced the development of the Music Industry were the technological achievements and the prevailing social and political currents of the era. Music Industry, according to Wikström, is a “Copyright Industry” which, according to WIPO, is engaged in creation. Consequently, there will be an overview of the entities evolved from the beginning of the production of the outcome (music), through its manufacturing, distribution to licensing and Artist remuneration. Keywords: Music Industry, Music Industry-History, Recording Industry, Publishing Industry, Music Industry- Structure, Copyrights
en
heal.advisorName
Kanatzias, Konstantinos
en
heal.committeeMemberName
Dr Chrisohoidou
en
heal.committeeMemberName
Dr Veleni
en
heal.academicPublisher
School of Humanities, Social Sciences and Economics
en
heal.academicPublisherID
ihu
en_US
heal.numberOfPages
42
en_US


This item appears in the following Collection(s)

Show simple item record

Related Items