dc.contributor.author
Keramari, Athanasia
en
dc.date.accessioned
2015-07-02T10:36:13Z
dc.date.available
2015-09-27T06:05:10Z
dc.date.issued
2015-07-02
dc.identifier.uri
https://repository.ihu.edu.gr//xmlui/handle/11544/668
dc.rights
Default License
dc.title
Code of Ethics for Museums
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heal.secondaryTitle
Within the framework of protection of movable cultural objects from illicit traffic
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heal.keyword
Cultural property--Protection
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heal.keyword
Museum techniques--Social aspects
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heal.keyword
Museums--Social aspects
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heal.keyword
Museums--Management--Moral and ethical aspects
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heal.keyword
Museums--Employees--Professional ethics
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heal.keyword
Museum curators--Professional ethics
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heal.keyword
Museum directors--Professional ethics
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heal.keyword
Museums--Management
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heal.keyword
Museums--Standards
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heal.keyword
Dissertations, Academic
en
heal.license
http://creativecommons.org/licenses/by-nc/4.0
heal.recordProvider
School of Economics, Business Administration and Legal Studies, MA in Art, Law and Economy
heal.publicationDate
2013-12
heal.bibliographicCitation
Keramari Athanasia, 2013, Code of ethics for museums : within the framework of protection of movable cultural objects from illicit traffic , Master's Dissertation , International Hellenic University
en
heal.abstract
The following thesis is an attempt to analyze the effect that has the Codes of Ethics for Museums within the other legal instruments; and answer questions like: Does a Code have a legal force? Is it addressed only to museums professionals, or is its scope wider?
Furthermore there are presented two national organizations and one international that they have drafted Codes of Ethics for Museums and are recognized from the wider community that has to do with the protection of cultural heritage. These three organizations are the following: The Museums Association from United Kingdom, the American Association for Museums and the International Council of Museums. Within the framework of protection of cultural heritage and more specifically the protection of movable cultural objects from the illicit trafficking, there is an effort of a comparative study between these three Codes promulgated from the three organizations.
en
heal.tableOfContents
ABBREVIATIONS ABSTRUCT INTRODUCTION 1 CODES OF ETHICS 2 THE PRINCIPLE OF NO LEGAL BINDING EFFECT OF CODES OF ETHICS, THEORY - REALITY 3 MUSEUMS ASSOCIATION 3.1 ORIGIN 4 AMERICAN ASSOCIATION OF MUSEUMS 4.1 ORIGIN 5 INTERNATIONAL COUNCIL OF MUSEUMS 5.1 ORIGIN 6 THE THREE CODES PLACE IN THE SYSTEM OF THE PROTECTION OF MOVABLE CULTURAL OBJECTS FROM THE ILLICIT TRAFFICKING – A COMPARATIVE STUDY 7 CONCLUSION BIBLIOGRAPHY APPENDIX
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heal.advisorName
Carducci, Prof. Dr. Guido
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heal.committeeMemberName
Carducci, Prof. Dr. Guido
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heal.committeeMemberName
Korka, Dr. Eleni
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heal.committeeMemberName
Zervaki, Dr Antonia
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heal.academicPublisher
School of Economics, Business Administration and Legal Studies,MA in Art, Law and Economy
en
heal.academicPublisherID
ihu
heal.fullTextAvailability
false