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dc.contributor.author
Baltzoi, Sophia
en
dc.date.accessioned
2015-07-04T09:19:02Z
dc.date.available
2015-09-27T06:05:15Z
dc.date.issued
2015-07-04
dc.identifier.uri
https://repository.ihu.edu.gr//xmlui/handle/11544/719
dc.rights
Default License
dc.title
The Ancient Theatre in the Black Sea Region
en
heal.type
masterThesis
heal.language
en
heal.access
free
el
heal.license
http://creativecommons.org/licenses/by-nc/4.0
el
heal.recordProvider
School of Humanities, MA in Black Sea & Eastern Mediterranean Studies
el
heal.publicationDate
2015-01
heal.bibliographicCitation
Baltzoi Sophia ,2015, The Ancient Theatre in the Black Sea Region, Master’s Dissertation, International Hellenic University
en
heal.abstract
The subject of the present dissertation is the ancient theatre in the Black Sea region. The study has been focused on the tragedies which have been influenced by the Black Sea, on the ancient theatres which have been found in the region of Black Sea, as well as on the findings which confirm the existence of the theatre in other settlements in the Black Sea. The aim of this essay is through the ancient theatre to show the transmission of a common cultural Greek identity in the region of the Black Sea. Before dealing with the main subject an introduction of the ancient theatre concerning the architecture, the scenery, the costumes, the masks and the acoustics of the theatre seems to be necessary. A significant part of this introduction is the subchapter regarding the religious-educational-political contribution of the theatre people’s life. The next chapters exclusively deal with the region of the Black Sea. The second chapter includes the tragedies which have been influenced by the Black Sea region, namely – Prometheus Desmotes, Iphigenia en Taurois, Medea. The next chapter deals with the ancient theatres which have been unearthed in the Black Sea region, in Chersonesus Tauricus and in Tion and the final chapter deals with the findings which confirm the existence of ancient theatre in other regions in the Black Sea. Specifically, the terracotta figurines by the famous Amisian workshop in Amisos are examined as well as busts, statuettes, masks, various findings like dancers, actors and other findings from other regions in the Black Sea which are strictly connected with the worship of Dionysus and by extension with the ancient theatre. This part is the main part of proof to this survey. In conclusion of this essay, the study of the ancient theatre in the Black Sea region demonstrates that the ancient theatre is part of the cultural and political life of the affluent Greek colonies and through the theatre the contribution and the influence of the Greek theatre and in general of the Greek art in the Black Sea is indicated.
en
heal.tableOfContents
ABSTRACT………………………………………………………………………….II PREFACE…………………………………………………………………………...III CONTENTS…………………………………………………………………………IV INTRODUCTION…………………………………………………………………….1 CHAPTER I The Ancient Greek Theatre………………………………………………….…...5 THE ARCHITECTURE…………………………………………………………………..6 THE SCENERY………………………………………………………………………..11 THE COSTUMES……………………………………………………………………..13 THE MASKS…………………………………………………………………………..14 THE ACOUSTICS……………………………………………………………………..15 RELIGION-EDUCATION-POLITICS………………………………………………........17 CHAPTER II Greek Tragedies influenced by the Black Sea………………………………24 PROMETHEUS BOUND……………………………………………………………….24 IPHIGENIA IN TAURIS…………………………………………………………………30 MEDEA……………………………………………………………………………….39 CHAPTER III The ancient Greek theatres in the Black Sea………………………………..49 CHERSONESUS TAURICUS……………………………………...............................49 TIEION/TION/TIOS……………………………………………………………….......54 CHAPTER IV The theatrical findings in the Black Sea Region……………………………60 AMISOS………………………………………………………………………………60 SINOPE……………………………………………………………………………….70 v TRAPEZOUS…………………………………………………………………………70 MESAMBRIA…………………………………………………………………...........71 ODESSOS……………………………………………………………………………71 TOMIS………………………………………………………………………………..73 TYRAS…………………………………………………………………....................73 CHERSONESUS TAURICUS…………………………………………………………………………….74 NYMPHAEUM…………………………………………………………………………74 PANTICAPAEUM………………………………………………………………………75 MYRMEKION…………………………………………………………………............77 KUL OLBA KURGAN……………………………………………………………………………...78 SEVEN BROTHERS KURGANS…………………………………………………………………………….78 GORGIPPIA…………………………………………………………………..……….79 CONCLUSION……………………………………………………………………..80 BIBLIOGRAPHY…………………………………………………………………..83 FIGURES……………………………………………………………………………89
en
heal.advisorName
Manoledakis, Prof. Manolis
en
heal.committeeMemberName
Manoledakis, Prof. Manolis
en
heal.committeeMemberName
Aristodemou, G.
en
heal.committeeMemberName
Drougou, S.
en
heal.academicPublisher
School of Humanities, MA in Black Sea & Eastern Mediterranean Studies
en
heal.academicPublisherID
ihu
heal.numberOfPages
115
heal.fullTextAvailability
false


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